Dive deep into the haunting new podcast series 12Ghosts from the creator of Lore.
In the months leading towards Halloween, horror fans have a plethora of ghost stories to dive deep into, but once the temperatures start dropping and snow begins falling, there's a strong embrace of things that are holly and jolly.
Aaron Mahnke: I don't know that I have anything that's really out of the ordinary. We're a"Die Hard is a Christmas movie" family and that's something that sometimes gets people scratching their heads if they're not on board with that, or they've never heard that debate. There's that aspect of it. For me, honestly, Christmastime is when I get to take a little bit of a break.
prevnext Evolution of Festivities What I like about Christmas and holidays and holiday movies and stories and TV shows, in general, is the diverse ways in which those things are honored and with this series, sure, it's called 12 Ghosts, some of them are a bit more horror, some are a bit more dramatic, some are a bit more touching.
When it came back, it came back slowly and with trepidation. They were slowly working things back in, and at the same time, society was growing, we were developing. We hit the Industrial Revolution and the Industrial Revolution had this effect of -- well there were positives: We lowered the cost of goods, more people could get important things, but at the same time we lost a bit of connection to who we are as people and what we make, our place in community.
prevnext Enlisting Collaborators When it came to looking for writers, what was that process like? Was it an immediate,"I know exactly who to go to,"? Was it just free reign, bringing in the writers and letting them go nuts with whatever they were inspired by? The beauty is that Nick and I have worked together across a number of projects, including some that haven't come out yet, and we have a good rapport and I think our sensibilities and the kinds of stories that we love, the moods, the tones, all that, they match up really well. We're a good pairing. A lot of my responsibility in working with Nick is just trusting him, just knowing that he's gonna hit the target I would aim for and it's pretty much always the case.
Mahnke: Typically I'm deeply involved in casting for my projects. I have ideas of who's right for roles, especially for a genre project. Like Bridgewater is a very supernatural thriller, I wanted performers who came from that world, so their fans were also fans of that genre, which makes it a natural fit to hand a new show over to them.
Tecosky: I'd like to think he did. And he was very kind, he's very generous, and there was so little in the way of directing that I had to do. He walked in, shook the room, and I was like,"Great. Maybe we can try this line a little bit differently this time? Great." He's everything you want him to be when you meet your hero like that. I was obsessed with [Stanley] Kubrick in high school and college. A Clockwork Orange, amazing.
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