The 'Deadwood' Emmy winner returns to the West for the 'Yellowstone' prequel.
But she’s a long way from the canyons of Manhattan these days, filming in the plains of Texas and mountains of Montana. But this time around, it’s a very different story and set of characters thanCostume designer Janie Bryant with Tim McGraw and Tom Hanks on the set of“You know, there’s one word to describe it, and that is epic, epic, epic,” Bryant says. “On my first episode, I probably had a thousand extras. And of course, designing the principal cast.
Bryant was on a similarly tight timeline and started designing with her team in L.A. in June before shifting the costume-building to Fort Worth when filming began in August before moving location to Montana and then back to Texas again. Speaking tothis week, she enthuses that she has just finished fitting the very last costume for the season, which wraps shooting in mid-January — but she demurs when asked who the costume was for.
Bryant also credits the players for the authenticity on-screen. “The actresses are all in corsets … riding horses or driving wagons, and the men are all in wool with the heat and the elements, and you can really feel how taxing it was,” she says. “Think about a hundred-degree weather and wearing a camisole, corset, bloomers, bustle pad, petticoat and then putting a costume on top of that. I applaud them for being for going with it.
Bryant says she gave a lot of thought to the teenage Elsa character, whose growing up mirrors the larger story , particularly in her opening scene on a train in her traveling garb. “It was really important to show her off in the beginning, this wide-eyed innocent with all the youthfulness of that character,” Bryant says. “She is kind of a wild child, too, and her aunt Claire slaps her for being rude and later she jumps off the train.” But, exacting artist that she is, Bryant notes that Elsa takes that leap while wearing a period dress with a then-fashionable polonaise, an added overskirt draped to the side .
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