A legendary filmmaker and a mythic creature collide.
The Big Picture On the cold waters of the Scottish Highlands, monster hunting is a typical day for locals and tourists. Loch Ness has been the home of Nessie for centuries, or so the legend claims. There has been no shortage of attempts to gather proof that the Loch Ness Monster exists. Despite how famous Nessie is, there aren’t many films about the mysterious, unconfirmed creature, some of them are nothing but schlock, while others stick to family-friendly plots.
The opening shot is of a camera at the surface of Loch Ness, a body drifting into the frame. Whatever happened, it’s safe to say it wasn’t good. Incident then goes back to detail the events leading up to what disaster happened out on the water. An essential part of the found footage horror subgenre — where movies are recovered after something terrible has occurred — is an attempt at depicting reality.
Away from the opening shot, Incident takes its time in becoming a horror movie. On the boat the crew will use to sail Loch Ness, Penn makes everyone wear matching jumpsuits to look cool and, in his mind warped by writing Hollywood movies , appear as authentic explorers. A score put over scenes that is heard repeatedly, is carnival-like, not taking itself too seriously.
Werner Herzog Has a Reputation for Difficult Sets “That is my reputation, but it was never my intention to get into any trouble or run excessive risks,” Herzog says in an interview. While Incident hunts for Nessie, it’s also a meta-commentary on Herzog, famous for explosive collaborations with actor Klaus Kinski. The two created fantastic movies, at the cost of volatile stand-offs and, as legend has it, a confrontation where Herzog pulled a gun on the stubborn Kinski to get him to do a scene.
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