Bodies sway to a beat we cannot hear. Instead a hushed, disembodied voice (Bhumisuta Das) murmurs over flickering black and white images that look soft to the touch, like a love letter turned velve…
Bodies sway to a beat we cannot hear. Instead a hushed, disembodied voice murmurs over flickering black and white images that look soft to the touch, like a love letter turned velvety with repeated reading. A film is being projected behind the dancers. Sometimes one of them will strut into the beam and become, for a moment, a part of the screen. Other times little dramas — embraces or arguments — occur.
There is a disconnect between the woozy mood and the sharp, still-raw events to which it refers, and this gives the film its peculiar power. Moinak Bose and Romain Ozanne’s sound design is particularly instrumental in creating this strange dislocation: Often shots of clamorous chanting crowds will play in an eerie silence only briefly broken by a little sync ambience kept low in the mix.
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