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I am for the circulation of useless information, words and phrases strung together with absurdities that arm us with knowledge but carry no true value. Like knowing “What’s The Frequency, Kenneth?” is about a guy who jumped Dan Rather because he thought the newsman had been beaming thoughts into his brain, or that the bass guitar Kim Gordon plays in the music video for “100%” was loaned to her by Dogstar bassist Keanu Reeves.
You can see in the interview where the writer tries to push back gently on Cooper’s insinuations, but he is having none of it. He has his thoughts and feelings on the matter set in stone—in the same way he has his opinions on Marilyn Manson and his bandmate Johnny Depp set in stone. The interviewer, not a trans person herself, isn’t armed with enough knowledge, nor is she properly prepared to get into this fight, and the interview ends on a baffling note.
The quotes from people like Cooper are presented plainly, light and general facts about trans people are sometimes presented in a neat paragraph to follow, and news travels out on the wires of an angry internet. Clicks are driven, blue checkmarks on X dot com argue that they are finally seeing someone push back on the whole woke trans thing despite it being an almost daily occurrence everywhere you dare look.
Paul Stanley and Alice Cooper and Dee Snider wore makeup on stage because it was an act, a ploy. They are vaudeville and drama in corpse paint and high heels and those things are not glove slaps across the bow of gender, they are marketing. And we need to stop being surprised when the marketing doesn’t match the idea.
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