Amulet writer/director Romola Garai breaks down the horror film’s ending
loves the f-word. The actor’s feature film debut as writer-director, “Amulet,” now available on demand, began its buzz out of this year’s Sundance Film Festival, with audiences praising it as a feminist horror film — and Garai has no qualms with that label. “Oh, I’m always very comfortable with the f-word,” Garai says with a laugh. “It’s a word I feel extremely comfortable with and would like written on everything.
With the movie now available on demand, Garai broke down some of the twists and its ending, sure to be discussed among those who view it.My idea was to write a film with a set of characters and tropes you knew and understood — good man lost in the woods, young female victim and an aged woman who’s a threat — and to make sure that they all change places or to explore their tropes a bit more. That was my starting place.
I was with the casting director and we literally looked at the photo of him and I said, “There’s no way that man ever raped someone!” Of course that’s why he was absolutely perfect for the role. He would absolutely be able to exemplify that problem of not accepting what your elemental nature is beneath the surface. Alec is also really a kind and nice man as well, you get the sense his energy is just right.
Sister Claire says they’re trying to contain the evil but they allow the creature to reproduce. Do they really intend to kill all the offspring or are there more sinister plans?
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