As KROQ DJ Kat Corbett Exits, She Reflects on Two Decades at the Station and the Struggles Facing Alternative Radio

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As KROQ DJ Kat Corbett Exits, She Reflects on Two Decades at the Station and the Struggles Facing Alternative Radio
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Longtime KROQ DJ Kat Corbett is the latest voice to exit the iconic L.A. alternative radio station — and although she’s not ready to reveal her next stop just yet, she hints to Variety that several…

is the latest voice to exit the iconic L.A. alternative radio station — and although she’s not ready to reveal her next stop just yet, she hints to“I am talking to some folks that I can’t say just yet,” said Corbett, who also continues to host a daily show on SiriusXM’s Lithium channel. “I think the audio sound space is so amazing right now. Podcasting, fiction podcasting, this stuff is blowing my mind. How I would love to put some of my stories in that arena.

More recently, Ted Stryker, co-host of the current morning show, “Stryker & Klein,” also departed the station. The loss of KROQ’s signature stars, coupled with a dramatic shift in the station’s music mix over the past year, has led to several pieces —Corbett, however, had been pondering an exit at KROQ for some time, even prior to the recent departures and changes. She had actually planned to leave, with another show lined up, last year until the COVID-19 pandemic changed everything.

“Right now I think alternative radio in general, and not just KROQ, I’m talking across the board, every single outlet is in a state of they don’t know what the hell is going on,” she said. “I think they’re deluding themselves if they think the kids are coming to radio. Kids don’t know what radio is, and they don’t care. And so now you’re alienating your audience by getting rid of all music.

Of course, the demo that grew up on alternative rock is also the demo still listening to radio, and it’s the struggle of maintaining that core audience via gold-based records — yet attempting to evolve the sound to stay fresh and bring in a new generation — that has put the format in such crisis. “Everybody was like, ‘There’s no way you’re getting hired at KROQ, especially not after you worked at Y-107,’” Corbett recalled. “So I hounded [then-program director] Kevin Weatherly until he finally gave me an audition. And the audition was the worst. I hadn’t even seen the studio, and everybody was like, ‘Don’t worry, KROQ, they’re so broke, the studio’s like an old college radio station, you’ll be fine.’ I get in there and they had just gone digital. Which I had never used before.

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