For his Fendi Autumn/Winter 2024 womenswear show, Kim Jones began by looking at Karl Lagerfeld’s Fendi sketches from 1984 and the London look of the Blitz Kids
Sculpting clothes, sculpting the body. This Fendi collection was less about an aesthetic of Rome than its sensibility.
But then again, sculpture has a British connection through fashion – Jones opened this show with tailoring, which finds its roots in English fashion in the late 18th century, when men sought to emulate the heroic figures of Greco-Roman statuary through the cut of their clothes. And of course that tailoring emerged in time with the Industrial Revolution, those clothes as dynamic engines for work.
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