Fame has the global megastar down. Music keeps him going
200 album chart. He’s a fashion icon, a WWE mainstay, a gods-gift to both tabloid editors and internet rubberneckers. His last album, 2022’s was among his most eclectic to date, incorporating indie luminaries from the world of Latin pop to both expand the boundaries of reggaeton and suggest his impatience with the genre’s constrictions.
But he consistently invokes the paranoia that comes with such success. Throughout the LP, he seems to ask: Who is with him and who is against him? Who truly knows him and who pretends to? Who’s a real fan versus a fake fan? This comes at a cost, making the album a bit thematically repetitive and lacking some of the political depth of past projects. But it is an unflinching look into the celebrity psyche, and Bad Bunny keeps it ruthlessly honest.
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