Amid proclamations that movies are back, two pivotal groups of Hollywood workers remain out of work.
was the biggest opening weekend ever for a film directed by a woman.’s director, Christopher Nolan, has been a part of an incongruous double feature. I don’t know how many of you remember in 2008 whenpremiered globally. Truly, The Dark Mamma walked so that Barbenheimer could run.
But if all this is to be taken at face value, it appears that film audiences are excited to support films from directors, writers, and actors that create challenging, exciting, and novel art. The actors and writers at the heart of these filmsbecause the producers—via the AMPTP—do not respect many of the people who are at the heart of the production enough to pay them what they’re worth.
of movies is here to stay—and it’s only going to if the people who labor to make that magic are treated and supported fairly.
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