Three of Argentina’s foremost auteurs – “Rojo’s” Benjamin Naishtat, “The Third Side of the River’s” Celina Murga, and “Two Shots Fired’s” Martin Rejtman – will present new movie project…
Three of Argentina’s foremost auteurs – “Rojo’s” Benjamin Naishtat, “The Third Side of the River’s” Celina Murga, and “Two Shots Fired’s” Martin Rejtman – will present new movie projects at a 9th Europe-Latin America Co-Production Forum, the industry centerpiece at this year’s San Sebastian Film Festival.
Produced by Uruguay’s Montelona and Cimarrón, Garibaldi’s “The Last Queen,” her follow-up to Sundance laureate “The Sharks,” weighs in as near-future geo-political allegory. It turns on Elisa, the last young woman in a city whose youth, when they come of age, are forced to migrate to the North, a kind of promised land where “history is being made.” Elisa, however, refrains.
The founding father of the New Argentine Cinema, whose 1992 debut “Rapado” was selected by Lucrecia Martel to screen at Locarno this year, Rejtman’s “El Repartidor está el camino” sums up in its title the bathetic humor distinguishing a career which has inspired a whole new generation of Argentine filmmakers.
Among a trio of titles from young Colombian directors, neo-noir documentary “Anhell69” is Colombian Theo Montoya’s first feature, after his short film “Son of Sodom” was chosen for the Cannes 2020 Official Selection. A portrait of Colombian youth, grappling with suicide, drug overdoses and a “no future” mindset, “Anhell69 ” won this year’s Tribeca All Access fund and co-production from IBF Europe.
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