“BlackIsKing is an inclusive experience and a gorgeous tale of metaphysical Afrofuturism. For what it is, it’s great,” writes CraigSJ
Black Is King is the culmination of everything Beyoncé has learned in film since breaking out in Carmen: A Hip Hopera. Photo: Parkwood Entertainment Beyoncé’s nearly 20-year journey in film is as much a testimony to her tenacity as her formidable catalogue in music. Her work in the two fields grows a little more challenging at each turn.
Black Is King blurs the lines between film, music video, photography, poetry, and nature documentary in its exploration of the themes of The Gift, elevating what, last year, looked like a promotional tie-in selling Bey’s appearance as Nala in Disney’s odd photorealistic Lion King remake into a stand-alone experience of its own, whose plot points, insofar as they can be understood as such, dovetail sparingly with the most dramatic turns in Simba’s hero’s journey but otherwise seem refreshingly...
Black Is King reveals The Gift for what it really is, a noble attempt at bridging African and Black American culture through music. It is almost completely devoid of white actors except for the sliver of dialogue from Seth Rogen and Billy Eichner as Timon and Pumbaa and the butler lurking in the corner of the scene that resembles the Roc Nation brunch. Black Is King most resembles a modern music video in its wandering eye .
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