'Breaking Bad' and ElCamino: A tale of two endings
is a high-quality piece of suspense and action filmmaking carried by Paul's still-tremendous performance as Jesse Pinkman. It looks great, sounds great and if you're a fan, it's full of cameos and references that are sure to amuse. It's also — and this is not an insignificant problem — largely unnecessary as it pertains to the largernarrative. At least it's unnecessary in an innocuous and entertaining way. It doesn't do any harm.
If "unnecessary in an innocuous and entertaining way" becomes the greatest recurring argument againstfinale that left some audience members feeling colder than Jesse in his new homeland. After he created so much destruction, bringing his family to financial and existential ruin in the violent pursuit of bolstering both those things, "Felina" allows Walt to return from exile and right the wrongs of his Heisenberg history, at least in part.
For the black-hatted Heisenberg, a couple of additional bodies would barely register as footnotes in his long list of atrocities. For Pinkman, however, killing the Kandy welders Neil and Casey isn't insignificant. These are the fourth and fifth men on Jesse's kill list, brought down by a small-scale version of Walt's final trick: a hidden gun. In the end, in order to escape the ghost of Walter White, Jesse has to put on his own version of a black hat.
? Much like Jesse's own cosmic balance, the jury's still out — but it's easy to see why both Gilligan andenthusiasts alike would be tempted to go back to that special love they have for a certain Baby Blue.
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