The five pieces on the 'Terrain' program at UCSD next weekend are about exploring our place in the environment
The two men and four women of LITVAKdance move in unison while watching each other for even pacing in the mirrored wall.
“It’s continuous flow, the kind of dance where, at the end, you are out of breath and have to stop. The dancers have been in so many works where choreographers come in and they are expected to generate material and build a work together in a process-oriented way. It’s giving them the joy of just dancing the dance and not having to wonder what it’s about.”
“There are these components of spiritual practice that tie us to the passage of time. And there are traditions that tie us to something bigger than ourselves. It’s this recognition of how small we are in relation to eternity. We live in a moment, so the dance is this spinning universe, with moments when things are distilled down to an idea.”
“A Notch in Eternity” is accompanied by Ezio Bosso’s rainy-day score titled, “Thunders and Lightnings,” a string-heavy composition with a repeating refrain that swells with emotion and then recedes.LITVAKdance ensemble members Hannah Wyer, Erica Ruse, Ashley Akhavan , Jordan Daley and Nick McGhee. Thirty dancemakers submitted video works and Gidron, who trained at The Juilliard School and has performed with the internationally renowned Batsheva Ensemble, was chosen to create a work for the company.
Wilt’s “Terrain,” is a dance about the human response to the seasons and before rehearsing the new dance by the imaginative Gidron, the dancers were instructed to envision their dream house.
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