Broadway Review: ‘The Lightning Thief,’ The Musical

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Broadway Review: ‘The Lightning Thief,’ The Musical
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“It’s a lot to take in right now,” says Percy Jackson, the teen hero of “The Lightning Thief,” the kid-centric fantasy musical (based on the popular Y.A. novel) that’s now on Broadway after touring…

You could say that’s a bit of an understatement from contemporary teen Percy , who discovers he’s the spawn of a Greek god — literally. But he’s not exactly sure which god. And, oh, by the way, Zeus’s lightning bolt has been stolen and the gods are pissed because they think Percy took it and a battalion of monsters, minotaurs and furies are hot on his heels. But first he has to deal with some mean kids at summer camp.

The story is propelled by the clever premise that “the gods are real and they have kids and they have issues.” The eternal struggle between hapless youths and their all-powerful parents is given Olympian dimension here, as sung in a lyric in the campfire ditty: “All things couldn’t be worse/when your folks run the universe.”

McCarrell’s believable boyishness, sweet vulnerability, gangly posturing and off-handed humor is appealing, and he manages to keep you engaged even if you’ve long lost interest in the details of the plot. His singing is sure, and in “Good Kid,” the best number in the musical, he shows in a heartbreaking way the pain of trying to fit in before he discovers that “normal is a myth.”

Kristin Stokes is solid as Annabeth, another ”half-breed” teen at the summer camp for demigods. Annabeth completes the young posse on its Poseidon adventure— though this trio bears no small resemblance to the Harry Potter threesome of fledgling heroes.

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