.CameronCrowe reveals why he decided to do the AlmostFamous musical
Cameron Crowe speaks during SiriusXM's Town Hall with A.J. Eaton and David Crosby hosted by John Fugelsang at the SiriusXM Studios on July 16, 2019 in New York City., perhaps the most beloved entry in his body of work, he felt simultaneous fear and exhilaration. How could what he calls its “happy/sad feeling” be delivered honestly with full theatricality? “I loved that it was all new muscles -- yet there is a steep drop off on both sides of whatever the small path was.
From his first meeting with Herrin, Crowe was struck by the director’s eagerness to inhabit a new theatrical form and the rigor his experience had equipped him with. The realization came that “Hey,. Modern romantic comedy exists almost entirely because all paths lead to Shakespeare. Throughout the process, Jeremy’s always putting it through the prism of structure, but also, building a place in your story where a character gets to make you thrilled with them.
“Anika’s fight,” says Crowe admiringly, “was always to bring all the colors of my mom to the character. Not someone clutching a cross across and saying, 'I can't allow rock into the house.' My mom did take me to see. But the Elaine part kind of writes itself, because the humor came from my mom -- that’s in her soul, and she spouted that stuff daily.”
For the latter song, Kitt’s mission was to incorporate layered harmonies from vocal designer AnnMarie Milazzo, casting it as a duet between Penny and William. The ultimate task, says Kitt, “Was to be sure it’s working for the story. It really speaks to vulnerability, when the characters could be their most naked selves, just kind of clinging to life in this piece of music.”
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