“Even when I’m frustrated by it, I kind of want more of it. It’s like junk food in that way,” says Daisy Rosario.
That’s true. She did do that, and it did look stunning with the feather thing and the cape. It was very pretty, but it felt like everything was just kind of a lead-up to that, to give everybody some fan service. And I do love fan service. I don’t love pandering fan service.
I did feel like this was one of those situations where maybe it was a little influenced by actual outside events because that dress is so famously given to Carrie by Vivienne Westwood, and Vivienne Westwood has passed away between last season and this season. So part of me wondered if it was a way for them to just give another shout out to Vivienne Westwood within the show lore, just because that was a very loved designer throughout the showThat makes sense.
Yes, yes. And then Miranda, she’s still out in LA. Che is trying to figure out their career in LA. There’s the new show that they’re putting together, and there’s some drama with Che and how they’re being represented in the show. Tony Danza shows up.Everything about Tony Danza’s character … First of all, actually, Tony Danza’s hair is a little longer. Work, Tony Danza. I like it on you.
The thing that got me about both of these episodes was that there are so many characters now, and a lot of that was done in an effort to combat a huge criticism—and rightful criticism—of the original show and series: that it’s just a bunch of white women, and they have white women problems. And so they’re bringing diversity onto the show, which is great, but now we have ballooned this cast so much.
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