A TÁR awards season is born! Cate Blanchett hits the ground running with a medallion at Telluride.
receive the festival’s medallion, an honor bestowed onto just three people this festival, and often an early indicator of a strong awards run to come.which landed at Telluride after glowing reviews in Venice, sees Blanchett deliver a bombastic performance as the head conductor of the Berlin Philharmonic, who has reached the highest pinnacle of success in her field.
In the beginning of the film, the audience is let in on the many habits in Lydia’s life, from her tailored suits and ultra-chic Berlin home to her obsessive handwashing and her intense pre-performance rituals. Blanchett said that she was able to embody Lydia’s flaws because she relates to the anxiety that every performer faces before stepping out onto a stage. “I think that's the thing that the audience doesn't see — they think about performers as being supremely confident,” she said.
Blanchett elaborated more on the way that every performance is a risk, a feeling she’s had in her own work, especially when she’s performed in plays. "Sometimes it may not lift off, but that's the exciting, dangerous thing,” she said. “And I think that's the thing that people forget is there's not some certainty that we know how to do this.
And for the extremely small number of major female conductors, there are even more challenges. As Blanchett, who spoke to numerous female conductors in preparation for the role, pointed out: "When they step on the podium, 70% is a political act and they have to spend 70% of their energy pushing aside the fact that they're female, simply so they can be musicians.
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