“I'm not surrendering my heart for people. It's like I'm wearing my pain as my battle scars and instead of surrendering, I'm fighting back.' Read the full interview between kaitmcnab and ChloeBailey ⬇️
in London. Over the course of three years, Chlöe never stopped creating — which means narrowing down the final tracklist forwas a behemoth of a task. “There's around, I think 120 [songs] that I did for this within the three years for this specific project,” Chlöe tells. “And some that didn't make it, maybe they'll see the light of the day, maybe they won't. Maybe I'll sell them. You never know.
“There were so many songs that I love that didn't make it, but it was definitely about the arc and what story can be told with this body of work,” says Chlöe. “So if it didn't make sense within the story, the song was scrapped… That's why ‘Treat Me,’ ‘For The Night,’ and ‘Surprise’ aren't on the album — not because they aren't good songs and I don't love them, but because I didn't feel like they were essential to the storytelling aspect ofas “a rollercoaster ride” with “a lot of loops, a lot of twists and turns.” “It'll start off really, really fast… then you'll get stuck upside down for a little bit.” Her silly analogy is spot-on., out today, March 31, is a turbulent range of sounds.
“I hear music with everything and I wanted it to feel like how my life felt. I wanted it to have ebbs and flows,” she says. “I didn't want it to be predictable. I didn't want it to feel like the same thing, because in life we're constantly evolving, and that's how the music sounds. When I put out my R&B singles, [people] were like, ‘We want pop.
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