Fleming takes over L.A.'s Dynasty Typewriter in his stream-of-consciousness Peacock special.
has not jettisoned any of the flair that has made him a star among, as he says, “theater people who don’t get cast.” Taking to the stage dressed like “the woman who judges the parade,” Fleming moves through topics with lightning speed. The first five minutes alone riff on parades, Bruce Springsteen and Barack Obama’s podcast, and drivers of Nissan Cubes. The effect is pleasantly disorienting, and immediately breaks down whatever protective wall the audience had up.
The connections between topics are somewhat tenuous but they give the appearance of free association. And basically, we get a front-row seat to this suburban Irish-Catholic therapy session.Much of the set’s success is owed to Fleming’s physicality. The comedian is well aware of how bizarre his own body is, offering it up for a slightly nightmarish sight gag in the opening minutes when he vocally compares himself to a horse. The horse metaphor is earned; he does prance, kind of a lot.
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