Fifteen years ago, the found-footage thriller introduced a new kind of menace to screens: a fantastically monstrous 9/11 allegory millennials still can’t shake.
is going to fall back on 45 minutes of storytelling before anything interesting starts happening. But’s found-footage style allows the film to be free of any obligation to explain things to the audience using a normal narrative structure. Instead, we feel like spectators on the ground, witnessing all of the events firsthand, just as confused and terrified as all of the characters.becomes a nonstop, pulse-pounding ride.
One by one, they’re picked off amidst a well of confusion and discord. As the death toll rises, so does the number of monster shots. “Clover,” as fans so affectionately named the monster, is teased out slowly. Its massive tail destroys the Brooklyn bridge during an evacuation; its roaring face soars through army gunfire and dust as Rob’s crew ducks into subway tunnels. Hints of its massive scope are briefly seen on televisions being looted from electronics stores.
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