The Grammys took a fairly expansive sweep with this morning’s nominations for Best Musical Theater Album, The Motown sound, Rodgers & Hammerstein, the folk-rock music of Anaïs Mitchell, t…
, The Motown sound, Rodgers & Hammerstein, the folk-rock music of Anaïs Mitchell, the reworked radio hits ofBut four of the five nominations did not include composers, since the music was not original to the cast albums. In the case of several, the musical numbers consist largely of oldies, some reworked for contemporary settings.
is a rousing recreation of the Motown sound, focusing largely, but not exclusively, on the title group’s hits. Nominated were original cast members Saint Aubyn, Derrick Baskin, James Harkness, Jawan M. Jackson, Jeremy Pope and Ephraim Sykes and producer Scott M. Riesett;is a wide-ranging grab bag of famous songs, usually stitched together as medleys on various themes.
All You Need is Love,” “I Was Made for Loving You,” “Pride ,” “Can’t Help Falling In Love,” “It Ain’t Me Babe” and “I Will Always Love You,” to name a relative few.Danny Burstein, Tam Mutu, Sahr Ngaujah, Karen Olivo and Aaron Tveit, and producers Justin Levine, Baz Luhrmann, Matt Stine and Alex Timbers.
Damon Daunno, Rebecca Naomi Jones, Ali Stroker, Mary Testa and Patrick Vaill, along with producers Daniel Kluger and Dean Sharenow;, winner of this year’s Best Musical Tony, might be the one to beat. The gorgeous songs will be new to most, though Mitchell devotees have been humming along since her folky concept album in 2010.
The sole composer eligible for a Grammy is Imogen Heap, for her “Four Contemporary Suites” that make up. Written, composed, performed and recorded by Heap, the album features music heard in the stage production. Heap is nominated as both composer and producer.
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