“Although I do sit alone at a desk to write, I’m never working in isolation. I’m always reaching out to other stories, paintings, lives, etc.” Danielle Dutton discusses her story from this week’s issue.
,” translated by Jay Rubin, which begins with an incredible nightmare and ends with a moment of violence. I didn’t plan for either of these stories to enter my own—they just did. Now I can see how clearly they belong; although they’re very different, both have female protagonists moving through frightening situations.
In the end, I suppose all the references in the story are helping to create this ambient web of fear. But for me they also raise questions about the space of a narrative, what it can do or hold, and how different narratives, or different narrative spaces, might speak to each other, or link up, as if there could be a portal from one to another that the reader might crawl through.
I’m old enough to have lived about half my life without a cell phone—I think I got my first phone when I was twenty-two—and I have no memory of ever feeling that grip of panic about not being able to reach someone before I had a phone always with me. Now I find I get worried quickly, unreasonably. You’re right that there can be this sense that someone has vanished if they aren’t immediately available; there is an expectation of total availability baked into our culture now.
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