“‘Dial of Destiny’ director James Mangold blends various tactics, but to lesser effect. CGI makes anything possible but does not make everything advisable. Or fun,” writes Tribune critic phillipstribune.
Phoebe Waller-Bridge, left, and Harrison Ford in"Indiana Jones and the Dial of Destiny."
“Dial of Destiny” marks the fifth and probable final “Indiana Jones” movie with Ford front and center. It’s also the first one — and you can tell, right away — not directed by Spielberg.Most of “Dial of Destiny” takes place in 1969. We meet Indy living humbly, doggedly, alone in New York City on the brink of retirement from his post at Hunter College. Indy and Marion, estranged for a while now, we learn, teeter around the edges of their divorce paperwork, still unsigned.
In the early WWII scenes, a digitally de-aged Ford and his comrade in archaeology Basil Shaw fight for their lives atop a hurtling train. Here is an example of all the latest technology money can buy, but with an enormous caveat. You’re watching a magically younger Harrison Ford, looking a lot more convincing than, say, a young Robert De Niro in
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