As Sofia Coppola’s “Priscilla” premieres at the Venice Film Festival, read Vogue’s review of the hotly anticipated biopic.
—her latest release, which just debuted at the Venice Film Festival, is a sensitive meditation on the secret lives of teenagers and young adults, their boredom and restlessness, and the minutiae that make up their daily existence.
Thankfully, Priscilla’s age—the fact that she was just 14 when she met her future husband, then 24, while he was stationed in Germany in 1959, completing his military service—is not something Coppola brushes under the carpet. It’s clear when we first meet her , as she’s sitting at a diner counter and is suddenly approached by Terry West , a friend of the king of rock and roll, who invites her to a party at the music legend’s house.
Elordi is, undoubtedly, a less showy Elvis than Austin Butler, who shimmied his way to an Oscar nomination earlier this year—he’s gentler, more mumbly, seemingly more introverted and awkward in his movements—but the actor comes into his own once Elvis has complete control over his trophy-wife-to-be. At her new Memphis Catholic school, in which she’s enrolled by her parents to ensure she graduates, girls giggle about befriending her only to get access to her beau.
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