Early computer art shows the creative possibilities of the marriage of man and machine
Harold Cohen was already an established painter when he started experimenting with computers in the late 1960s. This was when he began building AARON, a rudimentary AI that could draw semi-autonomously. Unlike today’s AI image generators, which make pictures based on analysing real images, AARON’s drawings were based purely on the mathematical rules Cohen programmed.
“You enjoy the form first, then the rest comes later.” These artists provided a blueprint for the monumental, data-driven installations by artists such as Refik Anadol and Ryoki Ikeda, who display internationally today. Much work in the exhibition hits the senses first.
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