The sole thing missing from it: originality.
, it forwards a version of events that’s supposedly definitive; “This is a true story,” it proclaims at the beginning of each installment. But, in the end, the series is apt to still raise some questions, as well as eyebrows.is the lead performance of Olsen, who—temporarily released from her Marvel duties—shines charismatically as Candy, the Wylie, Texas, wife and mother who, on June 13, 1980, killed her friend Betty Gore by striking her 41 times with an ax.
Candy and Allan’s affair, the central crime, and the ensuing trial aren’t complicated enough to require seven episodes, and yetnever feels unduly padded. Kelley and his collaborators use their considerable time to paint a comprehensive picture of their milieu, where the Methodist Church is the focal point of everyone’s lives, binding them together in a spirit of pious altruism and camaraderie.
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