Hanif Abdurraqib reviews “Eternal Sunshine,” the seventh studio album by the artist Ariana Grande.
Grande, who has just released her seventh album, “Eternal Sunshine,” has been on one stage or another for most of her life. Growing up in Boca Raton, Florida, she performed in regional children’s theatre, and sang the national anthem at a Florida Panthers game at the age of eight. She performed with Florida symphonies and, by fourteen, was in Los Angeles, meeting with managers in the hopes of recording an R. & B. album.
The tracks—eleven of which were produced by the Swedish hitmaker Max Martin, a longtime Grande collaborator—range from uptempo and electronic tracks to bass-and-drum house-influenced pop to the more stripped-down R. & B. ballad “Imperfect for You.” “We Can’t Be Friends ,” a song of pulsing bass and punchy vocals, sits tonally somewhere between pining for a lost love and contentment with moving beyond it. The chorus rubs up against the lyrics of the bridge .
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