From The Phantom Menace to The Rise of Skywalker.
, Ron Howard’s Han Solo “origin” feature is a well-designed, old-fashioned piece of linear storytelling, different in kind from the disjointed, multi-narrative spectacles of which Disney has made a specialty.
There’s certainly a remnant of the late Carrie Fisher, but her computer-generated presence recedes and her last scenes have zero impact. John Boyega’s lovelorn Finn is reduced to screaming “Rey! Reeeeyyyyyy!” in the middle of her lightsaber fights and Oscar Isaac’s hotshot Poe Dameron is now a grinning doofus cheerleader. Kelly Marie Tran’s Rose Pico — a fanbrat unfavorite in— is rudely returned to the chorus line.
under the Disney banner — and without the guidance of George Lucas — the intuitively unoriginal director J.J. Abrams remakes the first movie beat for beat, while also mixing Han Solo, Princess Leia, Luke Skywalker, Chewbacca, and others into a plot centering on young ’uns
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