Keep your budgets low and have faith in the resilience of arthouse cinema and theaters, film festivals and markets. But also be ready to engage with streamers that could become an integral part of …
Brazilian producer Rodrigo Teixeira, who has been instrumental in bringing to the screen films such as “Call Me by Your Name” and “Ad Astra,” warned against the danger to filmmakers posed by “big streamers coming in and full financing a movie” because “depending who you are” that can mean “completely losing” your creative freedom. The best way to not capitulate? Make self-financed indie movies on smaller budgets.
“In the past – especially in the last let’s say eight, 10 years – the competition between most festivals was really becoming a bit too much,” Barbera said. But now festivals have understood that their main purpose is not “to support theirs own ego or image or identity, or whatever,” he noted. “We are here to serve the filmmakers, to help promote films.” Therefore “It’s extremely important that the collaboration becomes something that we share as a common experience as a common tool, as a way to be better at doing our job.” “The streamers will do what the streamers do,” said Film4 director Daniel Bthe big bad wolf.
that, yes, “is hugely challenging” with “all these powerful behemoths.” But there have always been “huge stumbling blocks” for independent film. So “it’s just a case now of taking advantage of what we know and what we’re able to do.”
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