'Flee’ didn't win an Oscar, but its refugee story couldn't be more timely

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'Flee’ didn't win an Oscar, but its refugee story couldn't be more timely
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Embedded in every hand-drawn line of the animated documentary “Flee” is a poignantly unfiltered humanism that has galvanized viewers worldwide.

The triple nominee film -- for documentary, animation and international feature-- tells the story of an Afghan refugee’s traumatic journey.When “Flee” won the Cristal Award for feature filmmaking, the main prize at Annecy, Poher Rasmussen was welcomed into the global animation community. “Coming from documentary, I’ve been used to doing a lot of stuff on my own, being very isolated,” the director says.

“This is a very tough subject in Denmark, unfortunately,” Poher Rasmussen says. “It’s been polarized, like it is in the States and all of Europe. I really try to stay out of the political discussions around it because it really fast becomes a debate about systems, about how you can avoid taking refugees in, or how you would take refugees in,” he says. “And I really wanted to stay clean on the fact that being a refugee is about losing your home and looking for a new place to call home.

Instead of engaging detractors on social media or the press, Poher Rasmussen has partnered with the Danish Refugee Council to host conversations across the country and beyond, as well as collecting funds for their crucial work by selling posters of the film. “I want everyone to see the film, not just people I agree with,” he says. “We have to create awareness and say that being a refugee is not an identity.

Poher Rasmussen confesses that what surprised him most about this journey was the number of awards shows there are in the United States and some of the recurrent questions he encountered during Q&A sessions or after screenings. People wanted to know why he chose animation as a preferred medium for “Flee,” how Amin is doing today and, perhaps more peculiarly, why the director’s alter ego in the film doesn’t look like he does.

While Poher Rasmussen doesn’t discard the possibility of working in animation again if the project warrants its use, he’s currently considering an influx of opportunities.

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