sponsored by sptv | The growing Sony Pictures Television universe features standout performances across genres, empowering creatives and artisans to excel in their field and bring a diverse range of stories to life on screen.
Whether working fervidly in the development phase or creating boundary-pushing visuals to serve a project’s narratives, Sony Pictures Television’s storytellers and artisans consistently find new ways to engage audiences and set the gold standard of crafting impactful television.
“In this particular case, there are two main characters who are deaf,” says the actor. The casting team made sure to assemble a diverse cast to ensure the representation of many different communities. Saul’s evolution is also evident through the cinematography as the mixing and matching of extreme close-ups and wide shots allow viewers to take in the full state of Saul’s state of being.For a show focused on martial arts, not only is a skilled stunt coordinator essential, but also actors who are willing to learn how to perform choreographed movements. “Cobra Kai” has both and has accumulated a dedicated fan base that enjoys every fight.
Star Ralph Macchio adds: “There’s an incredible amount to shoot in a short time. The entire stunt team was just incredible. My job was standing on the sidelines, saying, ‘Give them all you got!’”Inspired by the original comic book series, the artisans of “The Boys” took chances with innovation in mind. “A lot of the time when you’re doing a comic book show, you scale back from what the comic book is,” says costume designer Michael Ground. “We scaled up.
Along with costuming, stunts are another crucial element for the action series. “Our goal is to never compromise when it comes to an important [emotional] beat or storytelling moment,” says stunt coordinator John Koyama.Damian Lewis applauds the writers behind the espionage thriller “A Spy Among Friends” for crafting dialogue that is detailed and authentic to the true story of a British spy for the Soviet Union.
“We graded the different locations in a slightly different way,” says Murphy of working with the production design, cinematography and editing departments. The teams worked with colorist Vince Narduzzo and used OFX plugins to allow the appearance of different film stock to give each city its own unique look and feel. Lauded for its nonstop action, keen writing and riveting direction as well as its intricate stunts and cinematography, “The Night Agent” rarely has a slow moment.
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