A crop of new horror movies explores a classic scary theme: Mommy.
This combination of images shows promotional art for the films"Evil Dead Rise,""Barbarian," and"Infinity Pool." – If you’re stumped for how to spend this Mother’s Day, consider relishing a good scare. Since the genre's inception, horror movies have tapped into the psychological trauma and terror that can only come from a mother, and a number of recent films are embracing that time-honored tradition.
“Horror is, at its core, a very primal genre,” he said. “It makes absolute sense that things like family, sex, death would all be things that the horror film is constantly mining because those are primal fascinations and experiences.”In it, the infamous Norman Bates of the Bates Motel develops a split personality after killing his controlling mom and her lover out of jealousy.
Zach Cregger’s “Barbarian” also turns breastfeeding into a spectacle, not from an inviting yet depraved sexual partner as in “Infinity Pool,” but from a monstrous maternal creature who forces her victims to feast.,” now available to rent on streaming services, plays with the fear-inducing extreme of a mom being possessed by a demon.
“When I left ‘Beau Is Afraid,’ I heard a teenage woman ahead of me walking out of the theater saying to her friends, ‘That just made me want to call my mom and say I’m sorry for everything,’” Lowenstein recounted. “We think horror and we think fear and dread and haunting, but we don’t necessarily think guilt, shame, humiliation. And Ari Aster clearly understands the connection between these things.
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From 'Psycho' to a new crop of horror movies, the genre has some mommy issuesA crop of new horror movies explores a classic scary theme: Mommy. Movies ranging from the new “Infinity Pool” and “Evil Dead Rise” to last year's “Barbarian” get scares out of their characters' mother complexes. Experts say the horror genre is well-suited to grappling with such issues because it is at its core primal. And it doesn't get much more primal or universal than mother-child relationships. Perhaps the most famous warped maternal bond in film was in Alfred Hitchcock's “Psycho' from 1960. And long before film, there was Mary Shelley's seminal horror story from 1818, “Frankenstein.”
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