‘Glass Onion’ Production Designer On How He Avoided Making the Movie “Fugly”

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‘Glass Onion’ Production Designer On How He Avoided Making the Movie “Fugly”
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To create the world of ‘Glass Onion,’ Rick Heinrichs took inspiration from the film's namesake. “I just sort of went back to the drawing board, if you will, or the cutting board, and literally took an onion and sliced it up.”

tells“I have actually done one with him. We were waiting at an airport somewhere to go off to maybe Ireland or something like that, and he was doing thecrossword, and also he does it even if he’s abroad. He gets it in print. And he uses a pen…. That’s just too much commitment for me. I can’t handle that.”can attest, Heinrichs is not one to shy away from a challenge. “I don’t like to like start slow and work my way up to the hard stuff,” he says. “I like to start with the hard stuff.

“I just sort of went back to the drawing board, if you will, or the cutting board, and literally took an onion and sliced it up,” Heinrichs says. “Pull the skin off it, and a naked onion is a beautiful thing. It’s got that sort of see-through light quality to it.” The puzzle box that serves as an invitation to Bron’s “disruptors” is also a veiled overview of the film’s plot: After solving a series of puzzles, the whole thing spins and resets, presenting the solver with a whole new set of problems, just when they thought they’d gotten to the center of it.

He credits his prior experience working with Johnson, who tends to build teams of repeat collaborators, in helping him develop a shorthand, streamlining a process that was only made more complicated by shooting in the midst of COVID. That doesn’t mean things didn’t get a little fugly every now and then, though.

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