John Debney revisited the witch sisters of Salem to score the Emmy-nominated sequel to the 1993 hit.
‘s score features a heavily nostalgic version of the original theme Debney wrote 30 years ago. From there, he created several new themes to reflect the sequel’s significant story points and character arcs, particularly those of Winifred and Sarah Sanderson .
When it came to Sarah, Debney needed a theme that would blend both Parker’s free spirit and her character’s pivotal moment when she finally — after two films — stands up for herself. “I had always wanted to write something for Sarah and, of course, it became a waltz. Sarah’s always spinning around, you know?”
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