Peter Milligan, ACO and Axel Alonso talk about the upcoming Artists, Writers, and Artisans comic book series 'American Ronin'
), with the two playing off each other’s strengths to create a story that’s part-corporate espionage, part-superhuman thriller and unlike anything else on the stands at the moment., the latest project from AWA’s Upshot line, is headed up by chief creative officer — and former Marvel editor-in-chief — Axel Alonso, and launches digitally and in comic book stores Oct. 7. Ahead of its debut,has an exclusive preview from the first issue, as well as a conversation with Milligan, ACO, and Alonso.
But with the Ronin himself, I’ve always been interested in exploring notions of self and identity, of those liminal spaces between who you are and who you might be, of being me and being you. And in the world of comics where so many of the “powers” are to do with strength or destruction, I thought it exciting — and an intriguing way to explore people’s identity — if our hero’s ‘power’ was ‘soft’. More subtle than heat blasts or power thrusts. The power to feel, the power to know.
What’s the collaborative process like on the project? The book feels like the best use of ACO’s work in quite some time, playing with the visual delivery of exterior information as the script burrows inside what’s happening. How did that come about?Let me say that I’ve been totally blown away by ACO’s art. It’s taken this book to a whole different level. I think we quickly learnt to know what we both wanted, and how we might best tell this story.
I usually add a lot of information in extra panels and this can be excessive for the reader if you do not let him rest. That is why I usually play a lot with the zooms and with the characters seen from the front and from the back from one panel to the next. Anyway, the approach to this comic has been different from previous works like , where the story asked you to be more explosive or crazy.
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