Succession's final boardroom scene was made all the more intense thanks to the “greenhouse effect” that was created by filming the Roy children’s fight through glass doors.
To create that fishbowl effect, Capone had to change some of the overhead lighting in both the boardroom and the adjacent room where the siblings fight, filling the overhead with Astera lights. “When you show up at these buildings, you have no idea what kind of day it’s going to be,” Capone said. “It could be a very warm, sunny day, it could be a very cool, cloudy day.
“It’s a big event and all of these board members have aides and lawyers and all of that,” says Capone. “We wanted to make it seem as true to a real company takeover as we could. So there were tons of extras. We tried to obviously keep them out of the room, but always have a sense of them, again, eavesdropping.”
By the end of the scene, striving Tom Wambsgans has emerged victorious as the American CEO of Waystar Royco, officially acquired by Lukas Matsson’s GoJo. “You want to be able to see the reactions of all these people and the emotions of Tom and Greg,” Capone says. “It doesn't work if the room is void. As a result, we always tried to shoot through them or had a sense of them in the background.”
“Some of my favorite shots are very low depth of field, and the figures in the background through the glass are almost ET-like,” Capone continues. “They're very, very thin slivers of line out of focus, and with the light from outside just wrapping around them. And I love stuff like that. It gives it a lot of depth.”For the larger boardroom scene,Capone says they used three cameras.
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