Score mixer ForestChristenson (The Last of Us) spoke to Bleeding Cool about the synth-inspired score of neonrated HowToBlowUpAPipeline. Interview Exclusive
. Christenson spoke to Bleeding Cool about his latest eco-thriller for Neon in, and his career. Based on thenovel, the film follows a group of environmental activists who devise a daring plan to disrupt an oil pipeline and make their voices heard as the climate crisis has reached a critical point of no return.The Synth Sounds of 'How to Blow Up a Pipeline': Gavin's score intrigued me.
They set up a network of treehouses in the forest where they lived, doing shifts and having a constant presence, which prevented the deforestation crews from cutting down the trees there. It was an activist ecological activism camp. Watching this film, I could see the spirit of those people, those friends of mine. I haven't seen for a long time in that experience. It was cool, and that inspired me while working on this with Gavin.
When producing the music with Gavin, did you both regularly network with director Daniel Goldhaber or did you work exclusively with Gavin? I worked with Gavin, one on one. Gavin and Daniel worked on the score on their own. Once they have a complete musical product, then Gavin brings it to me in my studio, and then we do the mix. That involves mixing two, five, and one and messing with all the intricacies, frequency, and reverb—everything to make it like that last five percent good.
My interest in synth scores influenced my ability to do this mix because I had an idea of what could be cool. I also have a history of composing and producing synth music in surround. I've made an album with a collaborator named John Also Bennett. Our band is called See That, and one of our albums from several years back. We did mix and surround, and so I was able to take inspiration from that experience because a lot of scores that are mixed and surround are orchestral.
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