Ecstasy and excess, rhythm and repetition, gender and ethnicity. Lyricism, protest, healing. Critic Mark Swed's series on the ideas embedded in every note.
What has changed most radically since the coronavirus outbreak, though, is where and with whom and under what circumstances we listen. Listening and making music have become much more private. The communal experience of making and receiving music has been lost.
With so little hope for live music on any reasonable scale to return for months, this seems a time to explore a number of individual works — from the Middle Ages to this muddled age, famous and obscure, from varied composers in equally varied genres. This series aims to suggest ways to listen, to offer reasons to listen or simply to open ears to whatever the sonic cat might drag in.
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