How Tracee Ellis Ross Made Her Secret Pop Diva Dreams a Reality for 'The High Note'

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How Tracee Ellis Ross Made Her Secret Pop Diva Dreams a Reality for 'The High Note'
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With songwriter Sarah Aarons and producer Rodney “Darkchild” Jerkins by her side, the actor finally felt ready to explore her musical talents

Ross, like Davis, is not a woman who fears much when it comes to her career, but making time to properly record and put out music made her anxious about pursuing that dream with every passing year. Between starring in long-running shows, running her hair company Pattern Beauty and her work as an executive producer, she was just too busy to give a singing career the attention it deserved.

has a big world to create. When we meet Grace Davis, she is a touring diva being pushed into a Las Vegas residency by her label and manager even though she has been writing new songs. Her overworked assistant Maggie, played by Dakota Johnson, not only admires her boss immensely but thinks her own budding chops as an aspiring producer could help them both.

“I had already written ‘Love Myself’ with Greg Kurstin before I knew about the film,” she says over e-mail. “I played it to Nisha and she seemed really excited about it. I ended up changing a few lyrics to make sure it had the maturity it needed for the character.” Ross had her own legacy to worry about as well, unsure of how people would respond if her singing career wasn’t as successful as her acting career. “Let’s be honest, we live in a world that is incredibly judgmental and really specific and prickly. They don’t give people the chance to try new things. You either gotta be great or you’re garbage. It’s not easy, especially when you’re established at a certain level, to try something new you might not do well at.

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