The photographer—who has shot the likes of Jennifer Lopez, Samuel L. Jackson, Cate Blanchett, Meryl Streep, and more—speaks to Vogue about his life in pictures.
or whoever, but I wanted to be outside of the embassy environment. If I was going to be sitting with a movie star, I wanted it to be in Hollywood. So I went and applied to the Corcoran School of the Arts and they accepted me. When I told my family, they were all shocked, but I was so determined to do it that they said OK. They were waiting for me to fail—the arts were just not part of their vision—but that’s the way they were raised.
and other publications. Then I started doing fashion catalogues, which was quite boring in the 80s, but one of my photos at. It was brought to the attention of the director of photography, Elisabeth Biondi, and they started hiring me for little shoots. I was delighted when Tina Brown eventually offered me a contract. I was content just to be making a living; I never expected to get where I got. So the book is in part a thank-you to all those editors and a thank-you to my family.
Another one was Meg Ryan. We became such good friends—she would always ask for me to do her movie posters and magazine covers. But the first shoot I did with her formagazine, because I thought she looked like America’s Sweetheart, I went with that angle, but inside she wasn’t that. She didn’t feel that, and the photo showed it. So later on, when we got to work together again, I brought out the feminine side of her, the sexier side, the side that was always suppressed in her movie roles.
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