“I’ll be making art as they close the coffin lid”: Graham Nash (TheGrahamNash) on life behind the lens:
team succeed for the most part in holding ourselves together, challenging as it may have been. I mean, that’s Order of the British Empire-receiving, tens of millions of records-selling, Joni Mitchell-datingstanding right there! After a disarming handshake and a light chat, we are miked up and on our way into a delightful discussion about the role of artistic expression in keeping this Renaissance man moving forward. Watch the interview video embedded at the bottom of this article.
The book is full of satisfyingly candid photos of the artists associated with Nash, including Mitchell, Stephen Stills, David Crosby and other characters from the early ’70s Laurel Canyon scene. It is also full of landscapes, cityscapes, still lifes and thoroughly unexpected candid pairings, like Alice Cooper and Philip Seymour Hoffman in the same frame at the Kentucky Derby.
Graham’s ability to see beauty in ordinary settings is another key to the work. “Look at the composition of this microphone on this chair,” Graham says, pointing to my mediocre audio cabling work off-camera. ”I know that I could take a picture of that and show it to you, and you’d go, ‘How cool is that?!’ IWhich naturally brings up the topic of Nash’s near-synesthesia, a cousin of true synesthesia, notably experienced by Wassily Kandinsky.
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