The streaming platforms are gearing up for another attempt to win the Academy’s affections. Though a streamer has yet to win the big best picture prize, Netflix has assembled a strong slate this ye…
In the case of “Power,” Campion has thrown down the gauntlet and orchestrated the best film of her impressive career, even surpassing “The Piano,” for which she became the second woman to be nominated for directing. Judging by the reception, the film performed fairly well for festivalgoers and could be the ace in the hole for Netflix for awards season. If Campion is nominated for directing, she would be the first woman to return for a second nom.
. After a stunning career that began with a snub for Neil Jordan’s “Interview with the Vampire” , she’s delivered great performances in films like “The Virgin Suicides,” “Melancholia” and “The Beguiled.” If she campaigned for supporting actress, voters might be ready to show appreciation and gratitude for a long and impressive career.
With one of Campion’s larger budgets, she makes every dollar count. Production design, cinematography, costumes, editing and sound are all on the table. Composer Jonny Greenwood could have himself a double mention on Oscar nominations morning since he did the music for “Spencer” with Kristen Stewart, which also played at the fest.
In regards to Gyllenhaal’s debut feature, the dense and heavy material showcases her talents as a filmmaker and storyteller. As we continue to see many of our gifted actresses taking the helm behind the camera — such as Regina King or later this year Halle Berry – it’s an exciting landscape for interesting stories to be told. “The Lost Daughter” could make inroads in adapted screenplay, with its exploration of themes surrounding motherhood and society’s expectations of a woman’s place in it.
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