In common with other rising-star composers of his generation, he draws eclectically from modernist styles, traditional classical modes and the wider sonic territories of pop, rock and electronica
like to claim that their art crosses frontiers and smashes barriers. Although still in his early 30s, Jacob Mühlrad, a Swedish composer, has already done much to turn that article of faith into audible reality. For the title piece of his debut album, “Time” , he set that single word in 104 different languages across a tapestry of choral sound: it has a mesmeric effect, both minimalist and lavish.
Despite a fast-expanding catalogue of compositions, Mr Mühlrad was no child prodigy. Born in 1991, he grew up in a Jewish family in Stockholm, with three Holocaust survivors among his grandparents; Jewish sacred music has shaped the style of pieces such as his sombre, lyrical “Kaddish”. But dyslexia held him back at school. He says he long had a nagging sense he “was underperforming in everything”.
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