Four reporters whose stories take center stage in films such as 'A Beautiful Day in the Neighborhood' and Hustlers weigh in on how their stories (and sometimes themselves) came to life on the big screen
Sam Rockwell and Paul Walter Hauser in 'Richard Jewell.'
Moviegoers are suckers for true stories, and screenwriters are often on the hunt for juicy, ripped-from-the-headlines tales to tell on film. While it's common for books to be adapted for the screen, this season sees four films based on magazine articles vying for a best adapted screenplay nomination.writer who receives an unlikely assignment: a profile of Fred Rogers , the beloved host of.
A subsidiary of the pair's Gary Sanchez Productions and founded by Jessica Elbaum, the company was on the hunt for female-centered projects. Once writer-director Lorene Scafaria was attached, she and Pressler talked over the phone to discuss the characters, themes and details about the financial crisis. "It was fascinating to see it go through different iterations," Pressler says.
. Centered on the titular character, a security guard wrongfully fingered as a suspect in the 1996 Olympics bombing in Atlanta, the film depicts the madness following the deadly event when Jewell became the subject of a media frenzy with a scrum of reporters camped outside the apartment he shared with his mother, Bobi. Marie Brenner, who wrote thearticle "American Nightmare: The Ballad of Richard Jewell" on which Clint Eastwood's film is based, was immediately drawn to the story.
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