With her long-delayed Life Achievement Award ceremony finally taking place this week, Julie Andrews revisits the highlights of her career (“I was spitting hay and mud and straw and God-knows-what. But it was an amazing shot.”) in an exclusive conversation.
. Do you have many memories of that film?
I've heard he was quite demanding, too. Was that your experience, or did you got a much softer version of Hitchcock?he was probably not. He mostly cared about effect and what he could do to an audience. He loved to lead you into suddenly being surprised about something or shocked about something or laughing with relief from tension. He was slightly manipulative of audiences in that way, but it was certainly a masterclass. He knew exactly what he wanted.
Six weeks later, there we were starting to film. He gave us a 16-page outline. Then he said, ‘I'd like you to take each character and muse on it, and then do a scene and let's see what happens.’ He would say, ‘keep that, now delete that.’ In other words, he was editing as we invented. Eventually we would shoot a scene and he would piece it all together. He let us contribute hugely, so a lot of the dialogue is very real, and it's also very biographically real about Blake himself.
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