Never has it been more difficult for the independent filmmaker than in the post-pandemic era where studios primarily focus on franchise-driven and IP-driven content. While some may assume that oppo…
really hard to make.” But Torres said his ears perked up when Steel, a screenwriter herself,Speaking about the company’s event, Kinolime board member and producer Jenny Shakeshaft told Steel, “The SXSW Festival has always been at the forefront of emerging technology and independent film. We couldn’t think of a more suitable place to launch.”
After SXSW and the audience response to their company’s soft launch, the Kinolime team said they feel optimistic about bringing back the energy of indie filmmaking with the benefit of community-driven social media platforms. Overall, Finkelman and Saitskiy said the launch of Kinolime at SXSW was a major success. “After reviewing hundreds of prelaunch screenplay submissions, one of them from an anonymous writer scored so high with our internal review team that we chose it to be our first ‘Editors’ Choice’ production slated for this year,” Finkelman said. “In addition, we hired the screenwriter to be a permanent part of the Kinolime team.
As part of their upcoming slate of projects, Finkelman also announced a new podcast for screenwriters and directors, where fans and filmmakers can watch full discussions with all their guests . “If you have a story with a heart and dream to share it, we are here to help,” Saitskiy said at the launch, summarizing the company’s vision.
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