A new exhibit, THE LIFE PHOTOGRAPHERS, opens at the Monroe Gallery tonight in Santa Fe, NM. (Don't miss photographer Bob Gomel at the reception from 5-7pm!) The show will run through 6/26. For more info—and to see more of the curators' selects—check out:
. In 1985, we sat down with Alfred Eisenstaedt to discuss the exhibition and, then in our 20s, were were awed and engaged with his stories of an extraordinary life behind the camera.
We understood that we were in the presence of something bigger than we had ever encountered before. The work of Alfred Eisenstaedt is our collective history—we didn’t live this but this is what formed the world we were born into. In the eighties, photography was only beginning to gain a foothold in the fine art market, and most galleries were concentrating on the early “masters” of fine art photography.
We had our beginning in New York, and over the course of the 1990s had the extraordinary opportunity to meet, get to know, and work with many of the legendary photographers of LIFE magazine, all in their retirement years. Through countless conversations, we learned how they saw the world and recorded it for the magazine, and more importantly, for history. Their work, and work approach, helped us gain insight into how to view their photographs, decades after they made them.
American sprinters Tommie Smith and John Carlos , after winning gold and bronze Olympic medals in the 200 meters, respectively, raised their fists in a Black Power salute, Mexico, 1968. Australian silver medalist Peter Norman is at left.Considering we curated the exhibit fromWho are some of your favorite LIFE photographers? Are there some that may have been overlooked?had their own individual and particular personality and style.
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