The new anthology series from Apple TV+ focuses on the immigrant experience
All three had worked on projects that told stories from the immigrant perspective, making them ideal collaborators.season two capsule episode “New York, I Love You,” which focused on the lives of immigrants in New York City. “[Eisenberg] ended up seeing the episode, and he’s like, Oh, my god, that’s a very similar tone,” Yang said. “It was proof that a show with this kind of concept could work.
Apple picked up the show in the period when it was building up mystique by lining up projects by numerous high-profile collaborators, includingIt was a big swing for the new streamer: an anthology series not based on blockbuster I.P. that starred mostly unknown actors . “We took it around to a few other places that hopefully in the next week will regret their decisions tremendously,” Eisenberg quipped.
“We’re not telling stories that Trump plays a large role in because those weren’t really the stories that resonated for us,” Eisenberg said. What matters, he said, is that people watch the show and see immigrants in a new light: “That’s the victory.” Still, the Trump presidency affected the show’s production. For example, after casting Syrian and Libyan actors for the final episode, “The Son,” the producers realized the actors couldn’t enter the United States because of the Muslim travel ban.There’s a dark irony to it, Bearman said, considering the episode revolves around a gay Syrian man seeking asylum in the U.S. so he can live freely.
“The Son” is one of the show’s heavier episodes—though, like the rest of the anthology series, it searches for the weird, funny, romantic, and humanistic moments that weave into a larger tapestry. Pockets of life in corners of America, spots of light in the darkness.
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