The ABC series, which premiered Sept. 12, 1993, was unlike past interpretations of Superman and it laid the groundwork for today's superhero shows.
From George Reeves to the new “Superman & Lois,” the superhero and his alter ego, Clark Kent, have thrived most on TV’s patient character development.LeVine gave the edict that instead of modern-day costumes, Lois should wear 1940s-style broad-shouldered skirt suits and suggested to Hatcher that she have a more conservative and wake-and-go hairstyle .
She says she wanted to examine “Lois’ life: Here she was, the single woman, and she meets this guy who turns out to be a superhero. What the hell does that do to you?” “In the back of my mind, I was purposely [not] doing a superhero show,” LeVine says. “I was just doing a really good drama. And I think that that influenced me.”
“I discovered somewhere during my directorialship that restlessness introduces reality,” he says. “If your cast is restless, at the water cooler or anything, there seems to be a transfer that [audiences] understand them or they’re more relatable. And the fact that the dialogue is fast-paced is certainly you joining the club.”
“We knew we had gold with the two leads and [so we did] whatever you can do to make that relationship interesting and let them really carry the ball.” “I think we injected a little more humor into it than just the Big Bads were bad and that they were evil and they pose a real threat,” says Singer, whose credits also include the long-running CW fantasy series “Supernatural,” which also had stand-alone mysteries and drawn-out investigations. “When you’re writing these shows, it’s important to not make them cookie-cutter, cardboard villains and give them a life of their own.
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